The Facing Page

Design, Culture and Style from Vancouver

Month: November, 2012

Stefan Andersson Ceramics

by Connor Keller

Swedish ceramicist Stefan Andersson caught my eye some time ago with his handcrafted ceramic cups. While he has a wider range of work the cups are, at least from my perspective, the crowning glory of his collection. He recently exhibited his cups at Formargruppen in Sweden, where his collection was picked up on by a number of design blogs. Andersson has a unique philosophy when it comes to the creation of his ceramics. In his words “I do not strive to be innovative, but think it’s impossible not to contribute new elements just as it is impossible to do something completely new.” It’s an intriguing philosophy that has provided Andersson with some exceptional results. The full catalogue of his work can be seen on his blog, though you’ll want to be sure you’ve got a translator handy because it is all in Swedish. His exhibition of cups from 2009-2012 (or koppar in Svenska) is also well worth your time to browse.

- CK

FIKA

by Connor Keller

FIKA, a Tokyo-based, Scandinavian-inspired antique and household goods store has taken a highly original approach to a retail space. From Monday to Friday, the tiny 355 square foot building in the densely packed Toshima district operates as the owner’s home, but on Saturday mornings the homeowner opens the doors and becomes a store. Through the elegantly designed sliding doors, in the bottom floor there is a large high-rise shelf that functions dually as a main display shelf on the first floor and as a day-to-day object holder for the owner on the top floor. Most intriguingly, most of the owner’s possessions are also for sale. The name FIKA is an interesting choice for the space. FIKA means “coffee break” in Swedish, a name which doesn’t really seem to sum up the store itself but is nonetheless a uniquely Scandinavian and catchy title. I wonder if you can sit down with the owner for a coffee served in the cups you’re planning on buying in the elegantly designed second floor for a chat about the rest of their collection and the origins of the store? I’m not sure, but I’d like to find out.

- CK

An Interview with Matchstick Coffee Roasters

by The Facing Page

We at the Facing Page are passionate about our coffee and in our celebration of Vancouver’s emergence as a serious player in world’s coffee culture scene. To continue our look at Vancouver’s best coffee shops, we’ve chosen to highlight the cafe/roastery Matchstick. Matchstick started roasting their own coffee in order to to serve the best possible coffee – a goal they’re constantly striving for. A cafe with a strong sense community, they’re approachable and knowledgable and are willing to share a great deal with those who are interested and passionate. While a little off the beaten path up at Fraser and Kingsway, Matchstick is one of Vancouver’s finest coffee destinations, and we were lucky enough to have a chance to head out and have a chat with them over an excellent cup of one of their more recent roasting runs.

So just to start can you give a little bit of background on Matchstick?

Aaron: We all have a background in coffee. Myself, Spencer and Annie have all worked in coffee shops. Spencer for a long time, myself and Annie for a while as well. We just started chatting – we’ve worked together before in various capacities – about what our perfect coffee company would look like. So we just started scheming ways to maybe start making that a reality. Maybe we’ll get there one day.

Spencer: We all wanted to make a go of it, wanted to make it a career, and there weren’t a ton of different avenues. We wanted to dive in both feet first and with coffee that means starting your own thing. There’ve been some shifts in the coffee world that we wanted to be a part of that weren’t yet in Vancouver. The idea of really getting back to the coffee and less of the extras like flavouring, extra sizes, was really driving us and is the story we want to tell.

Did Matchstick start with the idea of wanting to open a roastery as well, or was it just the cafe at first?

A: When we first started talking about it, it was more just having a drink and having a theoretical conversations

S: Wouldn’t it be nice one day if…

A: Like would you do this, or would you do this? It started initially as conversations about a cafe.

S: But it didn’t take too long to get to the idea of the roastery.

A: I think all of us, especially Spencer and myself, are very much perfectionists. Annie is the hospitable one, the one that manages to keep us loveable. But we couldn’t really fathom doing this without doing the roasting as well. It’s part of what interests us and excites us and pushes our vision of coffee.

It’s interesting to see you actually taking that step. A lot of coffee shops that have similar mindsets seem to never have the extra drive to go that extra step.

A: Looking back from where we are now you can see why. It’s a tricky process. It costs a lot more to get into it and start it up. And it adds huge logistical issues and stress as well. We have really high expectations of ourselves and we really want our coffee to be the best it can be. So that’s a whole other side of things we have to obsess about. We had seen it, in Vancouver there isn’t a ton of it, but in other cities like Portland, San Francisco. I was in San Francisco when I started to really see the roaster/cafe concept and thought about how it could maybe work in Vancouver.

S: Yeah, and I saw the same sort of thing in Portland. It’s similar I guess to beer – you can’t really conceive of a great craft beer without a ton of people brewing. Even though they’re all committed to the craft they all have different interpretations. And there’s always that push to keep being better. We don’t really see as much of that in Vancouver. There are a few bigger places and bigger cafes that have been doing a good job, but they didn’t really gain the same momentum as we’ve seen in other places. I think it really does something for the culture as well. We wanted to come in and say look what coffee can do, and look what we can bring to it. We try to do it the best that we can, we just offer up what we see to be the best.

Where there any other places that gave much inspiration for this?

A: Concept wise, it came from the micro-roaster scene from the West-Cost states. There are so many great little roasters in that area. Design wise we have some specific design inspiration but also had to make-do with the space around us. Having a giant concrete wall in the middle of the space was just part of the cards we were dealt.

How did you come to choose this particular space? It does seem a little out-of-the-way.

A: We looked hard for a long time, Spencer in particular was looking really hard for a long time. Pounded a lot of pavement. We looked at a number of neighbourhoods, we certainly don’t think this couldn’t exist in a ton of other places in the city. At the end of the day though, we all live in East Van, I actually used to live literally 10 meters away, just a stones throw. There’s a real gap on Fraser for good coffee. There’s no real coffee between Commercial Drive and Main Street and there are a ton of really neat interesting people around here. It’s one where people have real imagination and creativity. Rather than knock an old house down they’ll fix them up and do cool stuff with them. We really like the neighbourhood as a place. This street here is one of the most unique in the city. It’s such a unique urban environment. The little park there, it kinda creates this slowed down space within a really busy intersection. It’s unique. We saw a gap here, we wanted to fill it. And the right space eventually came up.

As the conversation turns to the particular coffees we’re drinking, the sourcing of the beans seems to be an appropriate question.

How do you go about choosing which regions and particular farms you’ll get your beans from?

S: Flip a coin..

So just close your eyes and pin the tail on the roaster?

A: Yeah, exactly. No – the global network for discovering and maintaining small lots of coffee has really exploded over the last ten years. Before the conventional way of doing it was really tough: the small producers would deliver their coffee to one mill which would put it all in one big pot before grading it for size and density and then it would be sent out to big bulk lots. This happened all over the place in all sorts of different countries. It’s come down to a much more minute level now to keep batches separated. We’re just getting to the point now where we can offer a small level of selections of different counties and different coffee. It wouldn’t make a ton of sense for us to be travelling though, but there’s a few different places that do a really good job helping small roasters like us develop connections. We’re so small to start that we don’t really have a ton of connections with individual roasters.

S: We just send in an idea of what we’re looking for and we’re sent back a bunch of samples, but at the end of the day we’re just sticking with what tastes the best. Coffee can come from somewhere very famous, a spot or producer, but at the end of the day if it doesn’t taste awesome it’s not worth carrying.

A: We’re building some relationships now, but those relationships change and grow as we do or as the roasters do. We’re interested in doing the best job with the roastery as we can. What that means to us is that we’re going to be pushing ourselves to achieve a higher level of quality. If it gets to the point that we need to take another step in our relationship with a roaster to improve quality then we’ll take it. That’s the stage we’re at.

S: We don’t totally need that yet. One of the biggest advantages of dealing with smaller quantities is that you really get to pick and choose everything. With the lots we buy, we can buy three bags of coffee and that’s fine but with most roasters that won’t even be one full roast. By necessity that might one day have to grow for us, but at this scale we’re really able to be picky with what we’re choosing. That’s part of why we want to work with a smaller roastery. It’s a sort of purchasing power.

A: It’s kinda the opposite of purchasing power. It’s a different kind of purchasing power. We can say no to pretty well anything.

S: There has to be a good name for that…

A: The ability to not purchase? Non purchasing power?

Can you give us a bit of background about the story behind opening up a roastery, how many hoops do you have to get through to get to this point?

S: Blood sweat and tears. Lots of concrete saws. Band-aids.

A: I think at the heart of it, just wanting it so badly you’re willing to take on so much and push through. There’s no real guarantees at all here, there’s no knowing if this is going to succeed or if things will work out. You just do your best to make everything line up the best it can. And it doesn’t, but you try anyway. I think the passion for coffee informed the way we build and designed this space, it’s set out for that. We spent hours and hours putting together equipment lists and floor plans. It’s just all because we care about coffee – that’s the heartbeat. The story behind it is really just why we got into it. We wanted to create the best coffee environment, the best roastery that we possibly could, and what would that look like? What’s stopping us? Get that out of the way and then do it?

Is there anything in particular that really sets Matchstick apart among roasters?

A: Unique is interesting in this industry because there are lots of people in the industry that really care. At the end of the day, we kinda tear the whole thing down each week and then try to re-build it. Constant roast profiling is I guess what sets us apart from most roasters.

Can you quickly explain what roast profiling is?

A: Essentially it’s the premise that no two coffees are the same and each require a unique temperature and time profile for roasting. Different airflow and various other things. Roasting, tasting, evaluating, then making adjustments to those profiles, to then accentuate or highlight different parts of the coffee and to find the way that the coffee tastes best. Once we’ve continually refined that process for the bean, or at least continually getting better and better, that’s the roast profiling.

S: When we have a brand new coffee we can maybe hit 95% of the potential. For most that’s great, or that’s good enough. But it’s willing to care for that next 5%, or 4%, or 2% or even that last 1% to make it better. That takes a ton of extra time and effort and even capital, but we think that’s worth it. For most it’s too much hassle. To say what sets us apart, I think that there aren’t that many that are willing to push and push until you feel the coffee is 100% – which you can never really reach, is what is important. You can never get there, but it keeps you pushing.

In terms of customer education and explaining a little more about the different coffees, is there anything Matchstick tries to do?

S: The way we’ve designed the space and the way we’ve structured the company, it kind of speaks to that. We opened a roastery in a cafe that has no doors. So you can come and see and watch it happening. With our bakery you can see our bakers baking the food right in front of you. There’s no display case with refrigerated saran wrapped paninis from a few days ago. We wanted to tell people where their food was coming from and involve them in the process. The coffee is the culminating point of that. In my opinion the way we brew coffee here, with a Chemex filter, is the best way of doing it. It’s what I do at home, I think it’s what tastes best, that’s what we do. Again, we’re showing that right in front of you. You can see our dose, you can see our technique, you can see everything. That’s something we want to share with people.

A: I think we all have a bit of an educator in us. But the idea is mostly just to remove the veil. We’ve build an environment where hopefully it’s ok for people to ask questions. People will sometimes ask ‘is that a heating plate the Chemex is on?” “No, it’s actually a scale.” “Why would you need a scale?” And then you have a conversation about the coffee. Same with the roastery: “Is that a big coffee grinder?” “No, that’s actually the coffee roaster. These are green coffee beans, this is coffee.” Removing the veil and taking away the blinders, that’s our form of education.

S: Also just expecting more from coffee and trying to show people that it’s okay to expect more from your coffee. It opens up those questions. Rather than treating coffee as something that tastes bad and should be fixed with flavorings, when you move beyond that you open up the prospect of discussion.

Recently you’ve started to sell your coffee a bit more around Vancouver, how do you choose and vet the places you’re selling in?

S: In a sentence, we want to work with people that do things really well.

A: Sometimes it’s a cafe, sometimes its’ a restaurant. Care and passion for quality translate into everything else. People who do coffee well are people we want to participate with. We’re always looking for those sort of opportunities. We don’t want to try to sit all high and mighty, it’s nice when people want to work with us and use us as a resource and want to make better coffee. We’re so lucky in Vancouver that there are so many places like that. Across Canada too even.

In terms of Vancouver coffee culture, it’s moving away a bit from the Starbucks culture to more of an educated customer base. Is that something you’ve seen?

A: We have an amazing coffee culture in this city. We’re not surprised at all when someone comes in and really cares about what’s going into their cup of coffee. We certainly still see people who are taken aback by this sort of cafe, but they’re not really scared, I guess they’re ready for it. I mean sometimes people will try it and it’s just not for them, they’d rather something simpler or easier – but most of our customers are really engaged and excited. We’re a culture that are pretty thoughtful and want to know whats going into our bodies.

S: Coffee is a great entry point to that too. It’s sort of the most affordable luxury. So anyone who wants to kinda be a foodie – coffee makes a great starting point. You might as well learn about it. The price you can get some of the best coffees in the world for is amazing. That low barrier to entry gets people quite excited about it too. Our premium coffee would still cost less than a venti drink at Starbucks, and has the same amount of caffeine. It’s just about what you care about? Do you really want to drink a half litre of whatever that’ll last three hours, or do you want to get into the coffee. Coffee is actually pretty healthy when you’re not adding in all kinds of crap.

You’ve built all this up in a very short amount of time, are there any plans for expansion here? Can you see Matchstick growing or is this more what you want?

S: Kinda both. We don’t have plans to take over the world, but if we can move forward while keeping quality at the forefront there’s no philosophical barriers to expanding.

A: At the end of the day we just want things to be really good. We could open another cafe, or two cafes, and maintain that philosophy, there’d be no reason why we wouldn’t.

Right – so if I were to ask where you’d see Matchstick in 5 years?

S: Definitely another cafe into the mix.

In Vancouver?

S: Unless we can go to Mars by then. Probably, keep it close to home. This is where our lives are. I think we’d rather work with new cafes starting out in other cities and supply them rather than move to other places ourselves. That’s a great way for us to move around and have a bit of diversity. Supplying other cafes is a nice way to do that. Thus far we’ve started supplying a couple of cafes in Kamloops and Kelowna. Still pretty close to home, nothing in Korea yet, but we’ll see.

Stock question – if you were stuck in Vancouver outside Matchstick where would you go for a coffee?

A: On Commercial Drive, probably Bump-N-Grind. Along Broadway probably Elysian Coffee, if I’m downtown probably Revolver. Those would be my three. If I’m stuck in Gibsons.. TIm Hortons. I think this coffee really does have some great cafes, so it’s not set to those few. We’d try new places too.

Perfect – thanks very much guys. We look forward to seeing where things go from here.

- CK | AP

Matchstick Cafe and Roastery |639 E 15 Avewww.matchstickcoffee.com

7am – 6pm Daily

WTAPS Incense

by Connor Keller

For me, the scent of a space is one of the most important parts of putting a space together well. WTAPS incense is one of a few scents that I find appropriate to fill pretty well any space with. Like the Inventory Items candles and some of the Baxter of California candles, the WTAPS incenses provide a room-filling, relaxing and perfectly balanced smell. One burn will fill a room or two with a great smell without ever being overwhelming or overpowering. The scent is relaxing and enjoyable. As with previous seasons, not only does the incense smell brilliant, but the packaging is almost worth the price in itself. Well worth keeping around for a pen-case or holding other incense, the WTAPS’ ability to thinking through all facets of its products is well illustrated here. The incense is available at Haven or through End.

- CK

Engineered Garments Workaday Utility Jacket

by Connor Keller

A slimmed down, well-built and well-designed sibling collection to Engineered Garments, the Engineered Garments Workaday collection often brings out some of Daiki Suzuki’s most wearable pieces. This utility jacket, based off a vintage US Navy utility jacket model, is certainly one such piece. It’s a strikingly simple piece as far as Engineered Garments goes, cut from the hardy and well-wearing reverse sateen fabric that Engineered Garments has become known for using. For me, it’s one of those pieces that you can do so much with, particularly come fall and winter. The olive fabric goes with just about everything, and the way the jacket is cut makes it easy to wear as an over another shirt, sweatshirt, henley or anything but slim enough that it fits in conveniently under another jacket or windbreaker. Based on my wearing experience, it’ll keep some water off on its own, but an extra layer over it might come in handy on the rainy days like we’ve been having recently. The piece certainly fits well into the Engineered Garments Workaday mantra of being worn day in and day out as one of the staples of your closet. The utility jacket is very hardy, as you can feel just from picking it up in store but the true value of such a hardy fabric makes itself known after a couple of years of heavy wear when the jacket has worn in and become a real part of you. Quite conveniently, there are a number of pockets on the jacket (it’s a Daiki Suzuki piece after all) but there are few enough that it doesn’t look overwhelming and those that are there are very functional. The two main from pockets are good to hold most things, the inner chest pocket will hold your phone nicely and keep it dry, and there’s an upper chest outside pocket for whatever you like to keep in your upper chest pockets. Available in Vancouver or online through Inventory Stockroom, this is a piece you’ll want to get your hands on to head off whatever fall and winter can throw your way.

- CK

Groundswell Reviewed

by Connor Keller

On a recent rainy night here in Vancouver half of the Facing Page team was lucky enough to check out the Vancouver premiere of Groundswell, a surf-documentary starring BC’s West Coast, particularly the Great Bear rainforest. The underlying theme of the entire evening was the opposition to the proposed oil pipeline from Enbridge running from Alberta into the Great Bear region/ a pipeline that would ultimately put the entire region into peril. The film was preceded by Reflections, an exhibition of works produced by local artists following a trip to the area. The goal of Reflections was not just to preserve that which could be lost, but also raise awareness in the rest of Canada about this beautiful part of the country. Much like with Groundswell itself, the wildlife and the natural beauty of the Great Bear rainforest were the real stars, though it was nice to watch some of the artists going about their work on film. As someone who often dabbles in the visual arts, it’s always a pleasure to see someone with real talent strutting their stuff, and to see the talent of some of these artists portraying something as simple as waves on a beach was an experience in itself. The exhibition will be opening on Granville Island in mid-November before making its way around BC.

Following Reflections, Groundswell got its moment to shine. Not to sound overawed, but each time I see footage from this part of the coast – a region I’m familiar with myself having sailed there a few times in my youth – I’m consistently blown away. It’s a part of the world like no other and the team behind Groundswell have done an excellent job in showcasing it. The surf footage itself is pretty spectacular, and unlike the ‘typical’ surf footage in which someone rolls along on a great blue wave with a sandy beach in the background, this was portraying rugged waves in the middle of nowhere where you wondered much of the time if the board would get stuck on kelp while the surfer was mid-barrel. It is one of those movies you need to see to get just how different it is, but basically it’s a masterclass when it comes to showing off the BC coast in an atypical way. Interestingly, part of the subtext of the movie, focussing on the opposition to the pipeline, is done very tastefully without being preachy. There are a few very well used interviews with some of the local first nations people, as well as a couple of serious reflections from the surfers, those who grew up locally and those who grew up afar, and the whole thing comes off quite heartfelt. Sadly, the movie isn’t available to see in all that many locations, so for those interested I’d recommend getting in touch with Raincoast and trying to bring it to a city near you.

While not usually one to preach, based on the evidence gathered at the screening and during a few online searches beforehand and afterwards, the idea of putting in this pipeline, and then having massive oil tankers navigating what are some of the world’s more treacherous waters just doesn’t sound to me like a good idea. One spill or pipeline leak is going to offset just about any sort of benefit the pipeline could have, and would ruin one of the most beautiful places in the world as well as an entire indigenous culture. If you’re interested in learning a bit more, or even getting involved, visit the raincoast site and get in touch with them, and have a browse over the Enbridge site and the pipeline proposal as well to see the other side of the story.

- CK

Neighbour Seasonal Party

by Connor Keller

Tonight, November 16th, Neighbour will be opening its doors from 6-10 pm for the Neighbour Seasonal party. The party celebrates not only another successful year for the Gastown outfit, but also the release of their new bi-annual journal PAL. And as if that wasn’t enough, they’ll be showing off a new art installation in the store. They recently teamed-up with carpenter and artisan, Jason Rens of SU PE RM AK ER, to produce 7 custom wood chairs, each built from a single 8 foot 2×4. The functional yet artistic chairs will be installed as the Neighbour front window display for the time being, and they’ll be shown off Friday night. Refreshments will be provided by the Steam Whistle Brewery, and great company will be on hand. If you’ve got no prior plans, stop down and say hi – you might even catch us there.

- CK

Welcome

by Connor Keller

The long awaited and much anticipated joint effort between Très Bien & Our Legacy, Welcome (or WLCM) has finally arrived. The collaboration between the standard couple of pieces between two brands. No, this is a full collection that the two closely linked brands have spent a great deal of time developing. The line will launch officially for Fall/Winter 2012 at Our Legacy in Stockholm and Gothenburg as well as at Tres Bien on November 15th. Welcome have told us that “Your wardrobe will be taken for a ride, given a new lease on life in a recreational environment spelt WLCM. This season, Welcome is all about tripping, wandering off that lit-up path.” It’s not exactly a typical teaser for a new line, but given the collective weight behind the two lines November 15th should be a very exciting way in the menswear sphere.

- CK

Raw Denim Care

by Connor Keller

As I’ve expressed a couple times here already – the quest for the perfect pair of raw denim is a passion of mine, as is the wearing in process that comes with each new pair. For those looking to get into the art of creating your own denim masterpiece, I’ve put together a brief guide for wearing in and eventually washing your new raw denim.

Firstly – when you first get your new jeans, it is worth checking if they’re sanfordized or not. Sanfordized is a term in the denim industry that describes pre-washing, meaning that when you get your jeans, they’ve already been washed to take the shrinkage out. If your jeans haven’t been Sanfordized, it will pay off to give them a pre-soak of your own before you wear them, otherwise you’ll wind up with fit issues following the first wash, not something you want after months of hard work.

Now that you’ve worked through the initial soak (or not), it’s time to start wearing the jeans. This is key: you must wear them. Wear them everywhere. At first, they will probably fit a bit tight. Keep wearing them. Wear them to bed, wear them around the house, wear them on your bike, wear them at work, wear them when you go out, just keep wearing them. Don’t worry about them starting to smell, they probably won’t (studies show that there is just as much bacteria on raw denim as on most other bits of clothing you own) but if they do you can just toss them in the freezer overnight or hang them outside inside-out for day and they’ll smell good as new. Once you get through the first few weeks, they’ll feel like you’ve been wearing them your whole life – this is good, but keep wearing them! Every single thing you do in those jeans will show up in the fade you end up with, they’ll wind up being a bit of a scrap book of your life. That little grass stain on the pocket from your date in the park, the nick on the hem from your bike, the wear of your wallet and phone, a discoloured patch from an unfortunate accident with a beer, each imperfection will tell a story. It’s likely that during the wearing in period, your jeans might suffer a few injuries (I’m personally on the 5th crotch repair on a much loved pair) – they’re well worth repairing, particularly getting them properly darned if you can find someone with the proper gear.

So, having now worn your jeans into perfection for a number of months (some say 6, some say 9, I say whenever your gut instinct tells you to, though please don’t let that be before 4 months or after a year) it’ll come time for the big wash. This is where your fades will start to really come into their own. At this point, there are a number of ways to go, including the basic wash, the saltwater wash, the ‘mom wash’ (that’s just throwing them in the laundry – I’m recommending against that). I’ll just cover the basic wash, as that’s by far the simplest way to go. Turn your jeans inside out, fill the bathtub with lukewarm water and add in your laundry detergent of choice (ideally one designed with dark colours in mind) and soak your denim for the next 45 minutes. When time is up, give them a good cold water rinse to get all the soap off and hang them cuffs up somewhere warm, ideally outside.

At this point you’ll have what denim aficionados would call a finished product, and what you do now is up to you. The jeans are only going to get better as you keep wearing them, but you’ll start to have to put a little more money into patching them up. The fades that you’ve got started in your first months wear will only be emphasized by time and wearing. The occasional hole or two gives a pair of jeans personality. Some of my favorites that I’ve seen pictures of are stitched up so much they’re nearly unrecognizable from where they started. Personally – I’ve always kept wearing mine until they do finally give out on me, but some people will swap over to a new pair at this point and start the process again. Of course, nothing here (except wearing the hell out of your jeans) is a steadfast rule, and there are many other places to look around the internet for other techniques and bits of advice. For my part though, I wish you and your jeans all the best in a long and happy relationship.

- CK

We Hear: A Classics Edition

by Connor Keller

This week’s We Hear digs into some of my favorite songs from a generation past. While not anchored to a specific genre, I’ve selected a few old favourites of mine for your aural delectation.

Spectral Display – It Takes A Muscle (to Fall in Love)

Firstly, we have this piece from Dutch electronic one hit wonders Spectral Display: their one hit ‘It Takes a Muscle to Fall in Love.” It’s the kind of song you can listen to on repeat endlessly for days. Each time you go more than an hour without hearing it you’ll be rushing to a music player to get your fix and then leaving it on the backburner for months until you rediscover it.

Kate Bush – Cloudbusting

Everybody who takes a trip down musical memory lane has to make a quick stop on at least one Kate Bush track. One of my favorites from her back catalogue is Cloudbusting, a soaring, slightly longer, piece. It makes good use of her voice and musical talents, and though the video is a little weird it’s well worth a listen.

The Talking Heads – (Nothing But) Flowers

One of the bands with the ability to perk me up if I’m having a bit of an off-colour day is the Talking Heads, and in particular the track Once in a Lifetime, which I’ve loved ever since hearing in a snowboard video sometime in my mid-teens. But I’ve chosen to feature another one of their tracks: (Nothing But) Flowers. It’s an interesting reply of sorts to Joni Mitchell’s Big Yellow Taxi, with its references to a future time when the chain malls and the like have been replaced once again by (nothing but) flowers.

Brian Eno – By This River

One of my favorite artists to listen to while working is Brian Eno. His more ambient works are phenomenal, such as albums like Music for Airports. One of his songs that I most enjoy is ‘By This River’. one I’ve liked a ton since being introduced to it a few years back. I think it was initially used for a sad scene in a movie (although I can’t remember which film) it is a beautiful listen.

- CK

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